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DANCE: Sextile – “New York”

  • July 25, 2023
  • 7 min read
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DANCE: Sextile – “New York”

Sextile, New York, dance music, edm, electronic music

Sextile got us moving here at AudioFuzz today with their extra fuzzy single “New York.” The housey, dance track is just what you need to get motivated on this stormy afternoon in New York. The video gives us all the feels and more. What do you think?

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Since 2015, Sextile has cemented their place at the intersection of coldwave and post-punk. After slowly rolling out three energetic singles – “Contortion”, “Modern Weekend”, and “Crassy Mel”. Today, the Los Angeles trio has announced the new LP PUSH, out September 15th, and their signing to Sacred Bones.

Today, they’ve shared the song “New York,” which opens with frosty synth tones that give way to a house-y drum machine groove and distorted, elastic bassline. “We’re tough out here but the love goes crazy,” singer Mel Scaduto repeats, paying homage to the warm steeliness of her birthplace. It’s accompanied by a boisterous video, directed by Jim Larson, and which features Mel having a lively time while bouncing between Big Apple landmarks. Sextile’s work has always lingered near the moody outer limits of the dancefloor. But “New York” douses the act’s knack for propulsion in a hyper, neon glow—as energized as the city from which it takes its name.

On the track, Sextile offers:
“Written as a dedication to my former home and birthplace. Cause New Yorkers are really tough, but their love goes crazy” – Mel

Since emerging in 2015, Sextile have been a party-provoking force on the LA underground, capable of kicking up a riot with the raw-edged squall of a synth or the sharp-elbowed jerk of a guitar. Originally formed by Brady Keehn and Melissa Scaduto after the pair relocated from New York to LA, Sextile released their debut album A Thousand Hands in 2015, with its Grand Canyon-sized echoes, haunted screams, and post-punk invocations, before pushing synths further down the front with 2017 effort Albeit Living.

Sextile’s taste for electronics matured on the throbbing EBM-meets-industrial pick-me-up of 2018’s 3 EP, cut from an analogue stash that included their trusted Korg MS-10 and LinnDrum, but the band put things on ice shortly after its release. Sextile guitarist, synth player, and original member Eddie Wuebben, who joined Sextile in 2015, tragically passed away in October 2019. Cameron Michel later re-joined on guitar and synths. Separately, they each turned their focus to other projects, with Scaduto on S. Product, Keehn on Panther Modern, and Michel as a visual artist. In 2022, the group reconnected and dropped their first new material in three years via the split single “Modern Weekend / Contortion” and “Crassy Mel”.

Now they return refreshed, renewed, and ready to rage with a serotonin-boosting new album, a new group dynamic, faster BPMs, and an even wilder new direction. Recorded in Yucca Valley, Push bounces and bops at the fringes of hardcore dance music, with the hallmarks of drum & bass, gabber and trance illuminating the record like glowsticks at a ‘90s Fantazia rave. Both Scaduto and Keehn have been busying themselves with more dancing and DJ gigs, and this fun flurry of activity has in turn fuelled the band’s sonic refit. “We talked about how one of the criteria for these songs is ‘Would I be able to actually dance to it?’ I don’t think we’ve ever set that criteria before. We wanted to have a record that is just full of dance songs.”

“Contortion” introduces the album with shadowy vocals from Keehn and a ‘00s-ready twist of dirty electro bass, setting the tone for the dance-punk rave-up that unfolds across 11 attention-grabbing tracks. Push was inspired by the kind of pleasure-seeking music fans whose social calendar comprises both the punk show and the rave. Josh Wink, Screamadelica, Iggy Pop, Goldie, and early XL Recordings, have all been name-checked as influences on Push, and the dance-floor remains a constant presence. Repping their place of origin, “New York” brings these musical touchstones off the page, guiding the album like an acid-soaked lodestar with its grinning nod to “Higher State of Consciousness” and a whirlygig of music-box synths.

More abstractly, perhaps, is how the influence of everyday sound seeps into the music. The electrical hum of traffic lights and that electrical box you pass by on the sidewalk become tones that either drive a rhythm or emotion while searing beeps recall the forklift at Michel’s warehouse. “Modern Weekend”—which also gives a shout-out to Iggy Pop (“the original bad boy”)—samples Michel’s particularly busy street, where the whoosh of cars tearing down the highway sounds like the ocean. “You can hear the buses, the sound of LA; we wanted to give you this taste of LA in a soundscape,” says Keehn.

Aside from the clattering metalscapes, there’s plenty of historic teen angst and biting social commentary written into the album’s vivid tapestry of misadventures. Balancing storytelling with face-melting synths that turn the tune into an acid trance character study, “No Fun” is penned from the perspective of a teenager trying to flee their town. “I’m talking about stealing your mum’s car in it, which I did at that age,” says Scaduto.

A punk spirit underscores the album. The clue’s in the name with “Crassy Mel,” which partly serves as a high-energy dedication to ‘70s anarcho-punk legends Crass and partly draws inspiration from a “difficult” person known to the band. “What is your problem now?” asks Scaduto. Originally envisioned on guitar before morphing into a genre-mashing electronic knockout, the track’s headbanging heft, vocal yelping, and Prodigy-shaped breakbeats accentuate the album’s overwhelming sense of fun. Plus, the dreamy ambient wash at the end of the song is the ultimate palate-cleanser.

“Lost Myself Again” is a whirlwind of drum & bass while “Crash,” which features the vocals of the band’s friend Izzy Glaudini and revolves around the MS-20, similarly locates itself in the ‘90s, bearing a line that could quite possibly sum up the whole album: “Dance away yourself”. Keehn says his lyrics are “mostly about feeling like I’m losing it or just trying to deal with life and the anxieties that come with it.” “Crash” fully invites you to shake it all off.

Meanwhile, the pounding kicks of “LA DJ” form the backbone for a citrus-sharp satire on, well, LA DJs. Scaduto poured her experiences of rampant misogyny into the album’s bass-fortified closing track “Imposter,” aimed at an unnamed offender and sung through gritted teeth. For the first time on a Sextile record, Scaduto’s voice assumes a co-starring role with Keehn’s.

There are still nods and “hellos” to the caustic post-punk of Sextile’s earlier work. “Plastic,” for example, shares DNA with A Thousand Hands and Albeit Living, but the track is crammed full of breaks; new territory for the band. Sextile haven’t quite relinquished their punk credentials, they’ve just given them a smiley-faced revamp.

“The cool thing with electronic music is that most of the time people don’t know what they’re hearing but if it’s an inherently good song, they’ll dance anyway. That’s a really fun and ambitious thing to figure out – how to move the room no matter what,” concludes Scaduto.

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Chris Ryan

Chris Ryan is an accomplished promoter, event planner, producer, activist, counselor, poet and blogger. Within the course of two and a half years Chris Ryan has worked with some of NYC's most established promoters/event planners, been named 2007′s GaySocialite of the year, granted a promoter of the year award from NYC's most famous gay establishment, Splash. He's worked in some of NYC's top venues including; Avalon, Capitale, Cipriani, Cielo, Pacha, Element, Le Poisson Rouge, XL, G Lounge, Plumm, Hilton Hotel, Indigo Hotel, Spirit, Myst/Quo, Splash, The Ritz, Vlada, Roseland Ballroom, Heaven, etc. In 2008, Chris Ryan has begun to unveil some of the most innovative & unique parties New York City has ever seen. The Fusion events "fuse" together all disciplines of art into an event that remains diverse yet cohesive at the same time. ChrisRyanNYC.com won best gay promotions website from NYC Event Patrons in 2008 & he was granted an award from the Jim Owles Liberal Democratic Club, Gov. Patterson & Michelle Clunie (QAF) saluting him for his hard work in nightlife. Chris Ryan has also begun working with many renown companies, including; doctors, lawyers, physicians, modeling agencies & more. Chris Ryan has been responsible for wide-scale promotions for all these companies & generating tremendous business. Chris Ryan has even started to become National with events taking place in LA & Miami this year. In May of 2009 Chris Ryan received the very prestigious honor of being named a "40 Under 40″ Gays in America by the Advocate Magazine. He also created three successful parties that generated over 1,500 patrons each. In January of 2010 Chris Ryan was featured as one of the top promoters to look out for in Noize Magazine Chris Ryan joined forces with legendary promoter/event producer, Lee Chappell and created one of the most talked about events of all 2010, Desire @ Capitale. Chris Ryan and Lee featured one of the most outstanding artists NYC has ever seen, "Oh Land." Her performance coupled with an exquisite and unforgettable set design added to this extravagant event that held over 1,000 patrons in one of NYC's most successful PRIDE events! Chris Ryan then joined forces with legendary Pacha promoter, Rob Fernandez in addition to Jake Resnicow and Tommy Marinelli to bring one of the largest and most successful parties worldwide to NYC, MATINEE. The event on Governor's Island saw over 2,000+ attendees and one of the most ambitious productions ever. In 2011 Chris Ryan started Emerge Music Promotions with business partner Darren Melchiorre. Emerge Music promotions began signing artists with plans to develop and market the artists to the community at large. Emerge Music promotions has big events planned for 2012 and 2013. Chris Ryan debuted the IMAGE events which took place on top of two of NYC's most beautiful rooftop venues, Rare View and Indigo Hotel. The events were blogged everywhere and featured the fashion designs of several clothing designers, artists and photographers. Chris Ryan felt that fashion and art should be displayed at every event and attracted the likes of Malan Breton, Calvin Klein and even Katy Perry. Chris Ryan began an extremely successful event which incorporated the concept of a house party into a nightclub atmosphere. The event Twist'D at G Lounge has been one of the most talked about events in NYC and allows it's audience to play nearly-naked Twister, beer pong, flip cup & more with other attendees. Chris Ryan was granted an excellence in volunteering award from AVP (Anti-Violence Project) for all his efforts in supporting the organization. 2013 has a very promising landscape on the horizon and Chris Ryan is complacent in saying "you haven't seen anything yet!"

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